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Let’s RACH!: Rachmaninoff’s 3rd Piano Concerto
Let’s RACH!: Rachmaninoff’s 3rd Piano Concerto
- Pittsburgh Symphony Orchestra
- Heinz Hall
Your world’s about to be RACHed
The Program
Rachmaninoff: Piano Concerto No. 3
Liszt: Dante Symphony [ PITTSBURGH PREMIERE ]
About this Performance
You ready to RACH? Experience one of the biggest works in classical music as Leif Ove Andsnes performs Rachmaninoff's 3rd Piano Concerto.
Music Director Manfred Honeck returns to conduct a work ascending from the depths of hell to the heights of heaven. Liszt’s depiction of Dante’s Divine Comedy will lead the listener through the complexity of Inferno, Purgatorio and Paradiso in this Pittsburgh premiere.
The Artists
Featuring
Manfred Honeck
conductor
Manfred Honeck is widely regarded as one of the world's leading conductors, celebrated for his distinctive and revelatory interpretations that have garnered international acclaim. As Music Director of the Pittsburgh Symphony Orchestra, where he is now in his 19th season, he continues to shape the orchestra’s artistic identity with a deep sense of purpose and passion. His tenure, recently extended through the 2032–2033 season, has seen the orchestra flourish artistically while strengthening its role as a cultural ambassador for the city of Pittsburgh. Celebrated at home and abroad, the orchestra has appeared at Carnegie Hall and Lincoln Center in New York, as well as at major venues throughout Europe and prestigious festivals such as the BBC Proms, Salzburg Festival, Musikfest Berlin, Lucerne Festival, Rheingau Music Festival, and Grafenegg Festival.
Manfred Honeck's acclaimed Pittsburgh tenure is reflected in an extensive discography on the Reference Recordings label, featuring works by Beethoven, Brahms, Bruckner, Shostakovich, Strauss, Tchaikovsky, and others. These recordings have received widespread critical acclaim and multiple GRAMMY® nominations, including a win for "Best Orchestral Performance" in 2018. In August 2025, he and the orchestra released Requiem: Mozart’s Death in Words and Music, an original concept reimagining a funeral mass for Mozart, combining the composer’s Requiem with Gregorian chant, poetry, and other choral works by Mozart.
Born in Austria, Manfred Honeck completed his musical training at the University of Music and Performing Arts Vienna. His years as a violist with the Vienna Philharmonic and Vienna State Opera Orchestra have had a lasting influence on his work as a conductor, and his approach to interpretation is rooted in a desire to venture deep beneath the surface of the music. He began his conducting career as an assistant to Claudio Abbado and as director of the Vienna Jeunesse Orchestra. Subsequently, he was engaged by the Zurich Opera House, where he was awarded the European Conducting Prize in 1993. He has since served as one of three principal conductors of the MDR Symphony Orchestra Leipzig, as Music Director of the Norwegian National Opera, Principal Guest Conductor of the Oslo Philharmonic Orchestra and Czech Philharmonic Orchestra, and Chief Conductor of the Swedish Radio Symphony Orchestra in Stockholm. In 2023, he was appointed Honorary Conductor by the Bamberg Symphony Orchestra, following decades of close collaboration.
Manfred Honeck also enjoys a distinguished profile as an opera conductor. In his four seasons as General Music Director of the Staatsoper Stuttgart, he conducted premieres of operas by Berlioz, Mozart, Poulenc, Strauss, Verdi, and Wagner. He has also appeared as a guest conductor at major institutions such as Semperoper Dresden, Komische Oper Berlin, the Royal Opera of Copenhagen, and the Salzburg Festival. In 2020, Beethoven’s anniversary year, he conducted a new staging of Fidelio (1806 version) at the Theater an der Wien. In autumn 2022, he made his much-acclaimed debut at the Metropolitan Opera in New York, leading a revival of Mozart’s Idomeneo. Beyond the podium, Manfred Honeck has created a series of symphonic suites, including Janáček’s Jenůfa, Strauss’s Elektra, Dvořák’s Rusalka, as well as Puccini's Turandot, which he regularly performs around the globe. The most recent arrangement, based on Strauss's Arabella, received its premiere with the Pittsburgh Symphony Orchestra in 2025.
As a guest conductor, Manfred Honeck appears regularly with many of the world's leading orchestras, including the Bavarian Radio Symphony Orchestra, the Berlin Philharmonic, the Gewandhausorchester Leipzig, the Staatskapelle Dresden, the Tonhalle-Orchester Zürich, the Royal Concertgebouw Orchestra, the Philharmonia Orchestra London, the Orchestre de Paris, and the Accademia Nazionale di Santa Cecilia. In the United States, he has conducted many of the nation’s most distinguished ensembles. He has also been Artistic Director of the International Wolfegg Concerts in Germany for over three decades.
In summer 2026, he returns to the Salzburg Festival to conduct Ariadne auf Naxos with the Vienna Philharmonic. He will also lead the Pittsburgh Symphony Orchestra on a European festival tour, with appearances in Salzburg, Lucerne, Amsterdam, Hamburg, and at the opening concert of the season at the Vienna Konzerthaus. In the 2026/27 season, he will commemorate the 200th anniversary of Ludwig van Beethoven’s death with special programs and a new commission from Jüri Reinvere, to be presented worldwide.
Manfred Honeck holds honorary doctorates from several universities in the United States and has been awarded the honorary title of Professor by the Austrian Federal President. In 2018, the jury of the International Classical Music Awards declared him "Artist of the Year." In 2026, he received the Julio Kilenyi Medal from the American Bruckner Society, an honor bestowed on distinguished interpreters of Bruckner.
Leif Ove Andsnes
piano
“A pianist of magisterial elegance, power, and insight” (New York Times), Leif Ove Andsnes is “one of the most gifted musicians of his generation” (Wall Street Journal). With his commanding technique and searching interpretations, the celebrated Norwegian pianist has won acclaim worldwide, playing in the world’s leading concert halls and with its foremost orchestras, while building an esteemed and extensive discography. He is the founding director of the Rosendal Chamber Music Festival, was co-artistic director of the Risør Festival of Chamber Music for nearly two decades, and has served as music director of California’s Ojai Music Festival. A Gramophone Hall of Fame inductee, he holds honorary doctorates from New York’s Juilliard School of Music and the Universities of Bergen and Oslo.
This season, Andsnes performs Dvořák’s unjustly neglected piano cycle Poetic Tone Pictures, both on a new Sony Classical release and on high-profile recital tours of Europe and North America. In concert, he plays Debussy’s Fantaisie with the Cleveland Orchestra; showcases his interpretation of Grieg’s concerto with the Leipzig Gewandhaus, NDR Elbphilharmonie and London Philharmonic Orchestras; and performs Rachmaninov’s Third with ensembles including the Oslo Philharmonic and Royal Scottish National Orchestra. Among other 2022-23 highlights, Andsnes gives lieder recitals with baritone Matthias Goerne, with whom he recently received his eleventh Grammy nomination.
Andsnes also continues his partnership with the Mahler Chamber Orchestra on “Mozart Momentum 1785/86.” A major multi-season project exploring one of the most creative and seminal periods of the composer’s career, this sees him lead the ensemble in Mozart’s Piano Concertos Nos. 20–24 at key European venues, besides recording them for Sony Classical. The project marks his second artistic partnership with the orchestra, following “The Beethoven Journey.” An epic four-season focus on the composer’s music for piano and orchestra, this saw Andsnes give more than 230 performances in 108 cities across 27 countries, as chronicled in the documentary Concerto – A Beethoven Journey and captured on an award-winning Sony Classical series.
Leif Ove Andsnes records exclusively for Sony Classical. His previous discography comprises more than 30 discs for EMI Classics – solo, chamber, and concerto releases, many of them bestsellers – spanning repertoire from the time of Bach to the present day. He has been nominated for eleven Grammys and awarded many international prizes, including six Gramophone Awards. Recent releases encompass the Billboard best-selling Sibelius as well as Chopin: Ballades & Nocturnes (Sony Classical), an album of Stravinsky’s music for two pianos with Marc-André Hamelin (Hyperion), Schumann’s Liederkreis & Kernerlieder, with Matthias Goerne (Harmonia Mundi), Bent Sørensen’s piano concerto, La Mattina, with the Norwegian Chamber Orchestra and Per Kristian Skalstad (Dacapo) and a disc dedicated to the music of Norwegian composer Ketil Hvoslef on which Andsnes performs the piano concerto written in 1994 with the Bergen Philharmonic and Edward Gardner (Simax).
Andsnes has received Norway’s distinguished honor, Commander of the Royal Norwegian Order of St. Olav as well as the prestigious Peer Gynt Prize. He is also the recipient of the Royal Philharmonic Society’s Instrumentalist Award and the Gilmore Artist Award.
Born in Karmøy, Norway in 1970 Leif Ove Andsnes studied at the Bergen Music Conservatory with Jirí Hlinka. He also received invaluable advice from the Belgian piano teacher Jacques de Tiège who, like Hlinka, has greatly influenced his style and philosophy of playing. He is currently an Artistic Adviser for the Prof. Jirí Hlinka Piano Academy in Bergen where he gives annual masterclasses. Andsnes lives in Bergen with his family of three children.
Mendelssohn Choir of Pittsburgh
Audiences and critics alike have praised The Mendelssohn Choir of Pittsburgh’s programming, saying, “EXCEPTIONAL and MEMORABLE… I’m still talking about it,” “One of the finest music events I have ever attended,” and “the Mendelssohn never ceases to amaze me… This city should be proud of its choir” (Pittsburgh Post-Gazette).
Critically acclaimed as one of the finest choruses in the country, MCP is the “voice of the greater Pittsburgh region” — whether premiering a choral work composed by Stewart Copeland of The Police at a rock venue, or performing Mozart with the Pittsburgh Symphony Orchestra (PSO) at Carnegie Hall in New York City. Unlike other professional arts organizations, MCP is proudly comprised of mostly amateur singers with professional-caliber talent, whose day jobs vary from postal clerk to physician to casino card dealer. MCP singers give generously of their talent, passion, and commitment to share the magic of live music with the widest possible audience, within Heinz Hall and throughout the community.
For more than a century, MCP has proudly partnered with the PSO as its “chorus of choice,” bringing the joys of symphonic choral music to tens of thousands of people each year. MCP has performed under the batons of world-renowned conductors, including Lorin Maazel, Mariss Jansons, Rafael Frühbeck de Burgos, Michael Tilson Thomas, Claudio Abbado, Mstislav Rostropovich, Leonard Slatkin, Charles Dutoit, André Previn, Sir Neville Marriner, Yan Pascal Tortelier, Helmuth Rilling, Ingo Metzmacher, Richard Hickox, Zdenek Mácal, and Manfred Honeck.
MCP embraces its long legacy of performances, recordings, and commissions that reimagine choral music for today’s audiences and bring bold, unique programming to the Pittsburgh region, such as the recent world premieres of Satan’s Fall by the Police’s Stewart Copeland and The Times They Are A-Changin’ by composer and conductor Steve Hackman. Under the leadership of its new Robert Page Music Director Daniel Singer, MCP looks forward to continuing its tradition of excellence while seeking innovative ways to encourage broader community participation in MCP as singers and as members of the audience.
MCP fosters the next generation of choral singers and audience members through its educational program, the Junior Mendelssohn Choir of Pittsburgh (JMCP). Founded in 1986, JMCP is the region’s premier high school choral training and performance program. Annually, JMCP attracts singers from more than a dozen school districts, providing youth with a challenging musical environment in which to develop their skills and encouraging them to be lifelong participants in the arts.
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